Norwegian, 21 and trying to become a filmeditor. The greatest band ever existed is called Rishloo. That's all you have to know.
Catching Elephant is a theme by Andy Taylor
Just Deaning my way over heAAAAUGH
(Source: ForGIFs.com)
Using countless transparent layers of gouache, Japanese artist Kazuki Takamatsu (featured in Hi-Fructose Vol. 16) creates paintings that mimic 3D depth mapping technology. Takamatsu executes this holograph-like effect entirely by hand, giving his viewers a glimpse into an illusory world populated by ghostly, Lolita-esque figures. Takamatsu recently opened his solo show, “Japanese Ideology of Puberty,” at Culver City’s Corey Helford Gallery.
Transparent layers of gouache?
Interesting style, gives a rather haunting feel. I recommend taking a look at the artist’s website: http://kazukitakamatsu.web.fc2.com/index.html
(Source: thebettybridge)
Just in case you need to tell your friends.
Sludgewave is coming.
Mosh warriors prepare.
you actually aren’t even allowed to discuss sludgewave until you’ve heard this fucking song ok
ok. Fuck the shit yes this.
Need some advice!
Hey, I’m a filmeditor in training, and I’m wondering if anyone have any tips for me to practice editing without having to go and shoot a movie? Is there anywhere I can download RAWs from a movie and edit it? Any other advice? Please send me a message :)
my mind is telling me no
but my budget
my budget is also telling me no
(Source: theknightofsnark)
do u know who’s still bummed over the lead singer of rishloo calling it quits
me
yup.
Anderson’s personal approach to composition has implications in the editing room, too. “Wes likes to center-frame the actors, and he often covers dialog scenes with swish-pans rather than cutting,” says Yeoman. “There are also many long dolly shots. He designs the shots so that each part of the story is encapsulated in that one shot. When you shoot like that, there’s not really a place for a cut, though at times he can slip one in on the swish pan. As a result, he almost never cuts shots out of the movie. Everything is very carefully designed, so there really isn’t a tremendous amount of coverage. Pretty much everything that we shoot gets used.”
We call it the invisible art. Because the more invisible we are, the better we are doing our job
Craig Mckay (via amleonard83-pro)
Filming the opening crawl - Star Wars V: The Empire Strikes Back.
This is craftmanship!
Premiere Pro please don’t freeze and shut down when I’m syncing sound. It’s boring enough as it is.
Did you come here to kill, or did you come here to die?
Did we really think that spaceships would descend from the sky?
My delicious setup, editing and some VFXing my current project: Elmers Law
